Call Answered: Penny Fuller Interview: 13 Things About Ed Carpolotti at 59E59 Theaters Off-Broadway

actress broadway cabaret director emmy award winner emmy nominee musical musical theatre off-broadway regional theatre singer television theatre tony award nominee tv Nov 19, 2012
Call Me Adam Title Page. Call Me Adam logo is on the left side. Penny Fuller's headshot is on the right side. In the top center of the page is an orange circle with jagged edges that says Featured Interview. Between our photos it says Discovering Ed Carpolotti

Penny Fuller is known for theatrical and television work which has garnered her six Emmy nominations, an Emmy Award, and a Tony Award nomination.

I first came to know Penny for her recurring role on Aaron Spelling's hit '90s shows Melrose Place where she played Marlyn Carter, the mother of Reed Carter, who wanted her son's baby from Melrose resident Jo Reynolds (played by Daphne Zuniga). 

I loved her on the show and in that moment, became of fan of hers. When I heard she was coming back to the New York stage, I just had to get an interview!

Penny is teaming up with her cabaret director Barry Kleinbort for the New York City premiere of 13 Things About Ed Carpolotti at 59E59 Theaters.
 
In this interview, Penny answered my call to reveal:
  • Who inspired her to become a performer
  • How she got involved with 13 Things About Ed Carpolotti
  • What she loved about being on Melrose Place
  • Who she would dream about
  • What super power she would like to have
  • So much more
13 Things About Ed Carpolotti will play at 59E59 Theaters from December 4-30, 2012.
 
13 Things About Ed Carpolotti tells the tale of newly widowed Virginia Carpolotti who gets some shocking news—her husband Ed left her in perilous debt to shady bankers, mobsters and embezzlers. Now an anonymous blackmailer wants a million dollars, or else!

1. Who or what inspired you to become a performer? My great uncle, William David, who was a character actor on Broadway, first made the theater REAL to me. I adored Vivien Leigh in the movies and then discovered she acted on the stage as well. Consequently I was SERIOUS about it all, and I went to Northwestern University to study with a great and renowned teacher, Alvina Krause.

2. Who haven't you worked with that you would like to? It is impossible to name them all!!!! One who is now gone: Oskar Werner!!!

3. What attracted you to 13 Things About Ed Carpolotti? I had done the play, THREE VIEWINGS by Jeffrey Hatcher in 1995. It was three monologues; mine was the third. I loved it; I asked Jeff back then if he would make it possible for me to do it separate from the other two. He tweaked it so that it stood alone. I never got to do it in that form. About a year ago I got the idea of musicalizing it. Again, I went to Jeff Hatcher; he said, "Go ahead."

4. What do you hope audiences come away with after seeing the show? I hope it will be a complete and satisfying experience: a deep love story with humor and suspense, familiarity and a bit of inspiration.

Penny Fuller in 13 Things About Ed Carpolotti

5. What do you identify most with about your character "Virginia Carpolotti"? Oh, how I hope I can have the equanimity, sense of humor, and strength that Virginia has!!!!!

6. What excites you about performing at 59E59 Theaters? I love the sense of community there! The three theaters are teeming with different people and events; then everyone meets at the E Bar…like a big party…to celebrate being part of that special exchange and experience that happens in theater.

7. You have been working with Barry Kleinbort (who wrote the book/music/lyrics and is directing 13 Things About Ed Carpolotti) since 2001 when you started performing your cabaret act.

  • What initially made you want to start a cabaret act? "If you ask me I could write a book!!!!!!!" I remember right after 9/11 thinking: "Singing would be helpful." (I am not exactly sure what I even meant, but perhaps the experience of hearing, perhaps re-living musical memories or experiencing new ones might help heal).  
  • How did you come to work with Barry? I was asked by the musical director, David Gaines, if I would like to sing a song for a CD for Jamie De Roy And Friends. Barry was the director. He later suggested we do a cabaret. Eight shows and years later…here we are. 
  • How did your collaboration on 13 Things About Ed Carpolotti come about? Last year I read Barry "13 Things…," and said: "Do you think this could be a musical?" I KNEW that if it could be, Barry would be the man to do it. I knew he would not corrupt the "integrity" of the piece: he would not just ADD music, but would "weave" music into it. To my mind he has done so. It is hard to believe that it was ever NOT a musical.
  • What has been the best part about working together? Our working together on eight cabaret shows has made us able to talk and work in "shorthand." We have similar theatrical ethics, taste, and history. We have been artistic associates at the Eugene O’Neill Theater Cabaret and Performance Conference, teaching together. Our collaboration has been a miraculous "accident!!!!"

Penny Fuller

8. What is your favorite part of the rehearsal/preview period in a show? I just love the rehearsal process in general: discovery and revelation.

9. Where is your favorite place to rehearse on your own? I guess I like to rehearse in my living room. Ask my neighbors!!!

10. You have been nominated for several Tony and Emmy Awards throughout your career as well as winning an Emmy Award for your work on ABC's The Elephant Man. What does this recognition mean to you? When I think I haven’t done anything or enough…I remember that others didn’t think that!!!!!

11. You guest starred on Melrose Place, one of my favorite shows in the 1990s. Looking back, what did you enjoy most about being on the show and getting to work Aaron Spelling and Daphne Zuniga? I was fortunate that I got to work lot for Aaron Spelling. He was a quiet giant!!! Regarding Melrose Place it was hard to "steal the baby" of such a famous character. People GLARED at me on the street!!!

BONUS QUESTIONS:

12. What have you learned about yourself from being a performer? This question seems to confound me. I suppose I have learned that one (that is, I) must be clear and specific in communication and I need to keep working on that!

13. What's the best advice you've ever received? From Mildred Natwick: when something goes wrong on stage DON’T TRY TO FIX IT OR SAVE THE SITUATION!!!! GET OFF!!!!!

14. If you could dream about anyone while you sleep, who would it be? Hmmm...maybe Shakespeare? I am not sure as I don’t sleep that well anyway…anyone interesting might keep me up!!!!

15. Favorite way to spend your day off? NOT DOING CHORES that haven’t gotten done! Feeling free to explore…the city, the museums, going to movies and concerts…just being free to take in and fill up again!!!

16. Favorite skin care product? Anything from Bella Schneider’s La Belle Salon in San Francisco!!!

17. If you could have any super power, which one would you choose? Save the world or just be a better person and artist.

Penny Fuller

More on Penny Fuller:

Penny Fuller began her Broadway career starring in Neil Simon’s Barefoot in the Park, and the original casts of Cabaret, Rex, and Applause, for which she received a Tony Award nomination for the role of "Eve Harrington." Her television work garnered six Emmy nominations and an Emmy Award for ABC’s The Elephant Man.
 
Her more recent Broadway appearances include Horton Foote’s Dividing The Estate and Neil Simon’s The Dinner Party (Tony nomination). Off-Broadway, she has been seen in Love, Loss, and What I Wore, Nicky Silver’s Beautiful Child at the Vineyard, Southern Comforts at Primary Stages, and Three Viewings and New England at Manhattan Theatre Club.
 
She has played a variety of roles in regional theater including "Amanda" in The Glass Menagerie, "Arkadina" in The Seagull, and "Claire" in A Delicate Balance. She returned to musical theatre in William Finn’s A New Brain at Lincoln Center. Other musical credits include A Little Night Music, Do I Hear a Waltz?, and Sail Away in London.
 
Since 2001 she has collaborated with composer, lyricist, and cabaret director Barry Kleinbort and has embarked on a new career phase as cabaret artist in New York clubs and theaters.

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